The Sound of Hope in a World Gone Slop

The recent reunion tour of Split Enz, a New Zealand band that disbanded in 1984, is a testament to the enduring power of music and nostalgia. But it’s not just about revisiting the past; it’s also a reminder that hope and excitement can be found in unexpected places, even for those who are older.

The Forever Enz Tour has been attracting crowds from all over the country, with fans of all ages singing along to classic hits like “Shark Attack” and “History Never Repeats.” The band’s eclectic sound, which ranges from art rock to pop bangers, is as vibrant and energetic as ever. This is thanks in part to the addition of two new recruits, who bring a fresh dynamic to the stage.

Split Enz’ lead vocalist, Tim Finn, still exudes a youthful insouciance on stage at 60-something. His brother Neil alternates vocals with ease, while the band’s percussive section, led by Noel Crombie, is a whirlwind of color and sound. Instruments range from bongos to kazoo, adding to the band’s signature eclectic sound.

As the audience watches these seasoned musicians having the time of their lives, it’s impossible not to feel a sense of hope and renewal. This is a testament to the power of music to transcend age and circumstance.

Split Enz isn’t the only story of artistic rebirth in recent times. The Melbourne Theatre Company’s production of Shoelace Chaser also showcases how art can speak to younger audiences in powerful ways. Directed by Liv Satchell, this play explores themes of teenage friendship, social inequality, and the difficulties faced by young carers.

The cast, led by talented athlete-turned-actress Leigh Lule, brings a sense of authenticity and humor to their portrayal of three teenagers navigating the complexities of adolescence. The play’s focus on teenage friendships is beautifully observed, with a comedic dynamic that will resonate with audiences of all ages.

Both Split Enz and Shoelace Chaser demonstrate a commitment to creative renewal and artistic innovation. In an era where much feels stagnant and unfulfilling, these two productions are a breath of fresh air – a reminder that art can still surprise, delight, and inspire us, no matter how old we get.

One notable aspect of both Split Enz and Shoelace Chaser is their commitment to social commentary. While the former may be more overt in its musical message, the latter tackles issues like social inequality and the challenges faced by young carers with sensitivity and nuance.

It’s refreshing to see productions that prioritize storytelling and character development over flashy effects. These two shows are a reminder that art can still be a powerful tool for social change, even if it’s not always overt in its message.

The enduring power of art suggests that there’s still a way forward, even in the darkest of times. Perhaps the key is not just about what we create, but how we consume it. When we engage with art on its own terms, without preconceptions or expectations, we’re more likely to feel a sense of hope and renewal.

We need more productions like Split Enz and Shoelace Chaser – art that’s not afraid to take risks, push boundaries, and tackle tough issues. We need art that speaks to the complexities of modern life, rather than simply pandering to our basest desires.